Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]

Young Joon Kwak's work begins with touch. Molds and imprints of bodies - the artist's own, and those of friends, loved ones, and collaborators - are dis- and re-assembled, burnished and jeweled. The resulting works bear intimate human traces and yet remain anonymous, moving in and out of recognition. They shimmer in their distortions and […]