Events
The staff of GO is thrilled to reactivate our live events calendar and weekly party roundups as we continue to serve our community by presenting the best in arts, entertainment, and nightlife event listings for our readers. However, especially given the Omicron variant, we adamantly recommend that all who consider venturing out to any public event continue to intelligently and carefully assess any risks involved in attending such events. GO recommends regularly checking CDC guidelines and updates regarding Covid-19 and strongly encourages our readers to vet any venue or event’s Covid-19 protocols before attending. There is nothing we care more about than the safety and health of our beautiful community members and the safety and health of their friends and loved ones. Please join us by continuing to do your part in stopping the spread of this virus.
With love, GO.
- This event has passed.
Eva Díaz: “Copies Have More Fun”
January 30, 2018 @ 6:30 pm
$10The staff of GO is thrilled to reactivate our live events calendar and weekly party roundups as we continue to serve our community by presenting the best in arts, entertainment, and nightlife event listings for our readers. However, especially given the Omicron variant, we adamantly recommend that all who consider venturing out to any public event continue to intelligently and carefully assess any risks involved in attending such events. GO recommends regularly checking CDC guidelines and updates regarding Covid-19 and strongly encourages our readers to vet any venue or event’s Covid-19 protocols before attending. There is nothing we care more about than the safety and health of our beautiful community members and the safety and health of their friends and loved ones. Please join us by continuing to do your part in stopping the spread of this virus.
With love, GO.
In conjunction with the exhibition “Josef Albers in Mexico”, join Eva Díaz, Associate Professor, History of Art and Design, Pratt Institute, for a lecture on Josef Albers’s artistic and teaching practices. This talk will discuss how Albers made pedagogical outreach to the viewer a central part of his work, particularly at a time when the educational process was understood as a creative enterprise that impelled personal growth and social transformation. Albers trained his viewers by offering perceptual tests of variation, seriality, and systems in his artwork, as well as by implicitly allowing—in a remarkably nonproprietary way—that viewers might enact their own versions of his works, just as artist Jill Magid did. The program concludes with an exhibition viewing of “Josef Albers in Mexico” and a reception.